Categories
Features

Spot Check – Tolworth

Photo’s by Zac
Video by Alan Christensen

Surrey has never really been famous for skateparks but over the years it has had its fair share. Tolworth is not far from Worcester Park where the the once infamous Dorchester Park spine ramp was built in the early 90’s. Then there’s the New Malden set up with a vert ramp and mini that was also fun. This entire area has always had a very strong skate scene but it has never had a concrete bowl until now.

Fortunately the guys at Wheelscape have now fixed that problem and left us all a bowl that is challenging to say the least. The park is situated just off the A3 motorway that you can whizz down to from Hammersmith in 25 minutes if there’s no traffic. Embedded into a wonderfully laid out kids playground the bowl sits pretty next to the local bowls club in landscaped space that is rarely seen near any skate park. It’s a strange combination as you would think that the elderly peeps at the bowls club would have been up in arms about sharing their space with skaters, but somehow the old farts are cool as, and everyone respects the space around them.

The main feature is the pool coping that glistens on top of the tight pocket that has zero flat bottom. It’s gnarly to skate. Once you are in here it’s do or die as there’s no room to think. It’s certainly a challenge and on this particular session from the video we shot on the day we visited this spot, 5 people were taken out from a total of 10. The bowl itself comes equipt with a slightly over-vert rainbow wall and a hip that leads to the chalice of doom. The pool coping makes the gnarliest noise you have ever heard, and made even better noises when Greg Nowik turned up and back-smithed this all afternoon. It’s not deep, no more than 4ft, it’s fast, there’s no walls that are tweaked and overall there’s an element of feeling safe at this park compared to a lot of other skateparks that are dumped into the middle of crazy housing estates.

Death Skateboards Nick Zorlac has been shredding this place a lot since it was built. So, Nick, this seems to be your new home these days…

Yup, it’s a cool little spot.

For people that have not skated this bowl before, what exactly does Tolworth have to offer?

It’s like a bowled out concrete mini, but half of it has no flat bottom and fast pool coping. It’s in a park, nice surroundings. Bit sandy though.

What was the first impression you got from skating it?

That it was really fun but hard to skate the pool bit. Happy to have something like this in the London area.

Are designs like this more of a challenge than your average bowl?

Yeah, everything happens real quick. Pretty unique.

Good feeling riding pool coping again? Is there enough of this stuff in UK skateparks?

Yeah, nothing else like it. No where near enough of it in the UK.

What would you change about it if you had the chance?

If you want me to be picky.. Maybe make the metal coping stick out a tiny bit more, and the pool coping stick out a bit less in places. And have the bowled bit of metal coping so you could hit it easier.

Did that six-pack taste good on the day I didn’t hit the pool coping?

Haha of course it did! You can win one back next time though. Or lose another one..

And last but not least, are you partial for a spot of Green Bowls across the car park in the near future?

Well I might be, but I don’t think I’ve got a choice in the matter. I tried to go in there today to ask to borrow a broom.. they looked at us but wouldn’t buzz us in! Denied! I bought one from the hardware store down the road for £1.99. Good value!

The park can be found at King George’s Recreation Ground on Jubilee Way in Tolworth, Surrey. Click here for a map. It’s also close to Tolworth Station. Get down there now the sun is out!

Categories
Interviews

The Thermals interview

On Monday Portland indie-pop beatniks The Thermals release their forth studio album ‘Now We Can See‘ – their first since leaving one legendary US label, Sub Pop, and moving seamlessly to another, Kill Rock Stars.

The album’s refreshing simplicity and honest pop songs, teamed with their recent killer shows supporting The Cribs on their UK tour have seen the band reach higher levels of acclaim over here than ever before. Where so many bands seem to fall victim to the hype machine, The Thermals keep improving, steadily collecting a snowballing number of loyal and dedicated fans with each record.

Crossfire caught up with front man and founding member Hutch Harrison to discuss new albums, new labels, new fans and life as a member of one of Portland’s finest exports.

‘Now We Can See’ just came out over here in the UK. How do you think this album compares to your previous releases?

We think it is THE BEST one we’ve done, by far, seriously! Kathy and I took a very long time writing this record and we wouldn’t release it unless we felt it was better than what we’d done before.

What are the themes and concepts behind the album?

Love, death, air, light, water, land. These are all inescapable themes of life and art.

Your previous album ‘The Body, The Blood, The Machine’ had a lot of religious references running through it that seem to be absent in ‘Now We Can See’ – do your lyrics reflect things happening in your life at the times they were written?

The times we were living in were of course influencing the lyrics of TBTBTM, but the songs were fiction, a fantasy on how terrible things COULD be. It’s not always easy for people to understand, it can be hard to get away with sarcasm and storytelling in music, people want to take things point blank. I’m talking about the people who thought we were attacking Christians directly.

The album was recorded with Kathy on drums, but you now have a new drummer. What is Westin’s influence on the live sound? Do you feel he brings his own element to the music or does he play what you’ve already written exactly as you wrote it?

Westin KICKS ASS, that’s why we asked him to be our drummer. He’s definitely playing the beats pretty close to how they are on record, but of course he brings his own style, and he’s incredibly charismatic on stage and looks like he’s having the most fun of any Thermals drummer.

For this album you moved from Sub Pop to Kill Rock Stars. What were the reasons for this and what are the pros and cons of working with the new label?

I have to say there’s only pros so far, no cons! But I would still say the same about Sub Pop. We loved working with them and had a ton of freedom, had a really good time, and of course we still work with them. We just wanted a contract that looked different, and we found it with KRS. It’s great that they moved to Portland, we’re in there all the time, distracting them from their work…

Kill Rock Stars as a label is famed for working with bands with a fairly political agenda. Is politics something that you feel motivates you as a band? Do you feel as a band it’s your duty to speak out about political issues?

For a while I’ve been working on not looking to politics for motivation. I don’t consider myself or the band political, it’s definitely not a hole I want to get stuck in, creatively. I don’t think any artist should feel they have some kind of duty to speak out on political issues, because it would make for too many half-assed statements. Religion and politics in this country motivated me for some years, but I had to let it go, for now.

You’re a band who, in the UK at least, have steadily and quietly built a following but failed to really hit the mainstream. Having toured twice with The Cribs, who are a fairly big pop act over here, do you feel that’s something you’re working towards or do you prefer what you have now?

I would be lying if I said it wasn’t something we are working towards, but we’re also quite satisfied with the success we’ve had so far, for sure. I think I’d be surprised if we ever got as big as The Cribs.

You just played SXSW – how was that?

Let’s just say we made sure to keep a work to play ration of 1:1, which means we spent most of our time at the four seasons pool, with the KRS crew and consumed large amounts of tequila, straight.

One thing that is clear from other interviews and your press releases is your allegiance to Portland. What is it that makes your hometown so special?

We do have an allegiance to Portland, of course! And to the thousands of other great artists that live here.

If you were to move to another city in the world as a band, where would it be?

Either NYC or Feluy, Belgium

So let’s end with some fresh blood, what new bands from Portland should we be looking out for?

Shaky Hands, Point Juncture, Wa, and Explode into Colors.

Check out The Thermals on Myspace

Categories
Skateboarding News

Bruekillers on the loose!

New Creature decks are fucking sick.

Check the Brue Killers on film here to see how these can open your cold ones.

Categories
Skateboarding Product Reviews

Globe Devo-tion

Truth be told, I saw these at last year’s trade show and I remember thinking then that they would be a real good summer hit! About 6 months later, these 80’s inspired Devo classics landed on my doorstep…Pump fucking Pump! The shoes are great, but I wouldn’t skate them to be honest, they’re too good for a grip tape spanking, I’m rocking these for summer play and the occasional curb roll.

It’s a canvas style upper with a vulc sole, it’s more like a loafer than a skate shoe I’d say, but the sole would last you just as long as any other Globe skate shoe, which we all know is pretty good.

When you’re out buying a pair of these, which I highly recommend you do, make sure you pick up you’re first Devo-Tee too, they’re super cool and obviously, when Devo tour here soon, you’ll have the perfect merch to get Jocko Homo with a Mongaloid and the Girl you want… Shrivel up!

Check out the rest of the Devo flight pack by Globe, especially the cruiser reviewd here, they have some real gems out there right now and they will nto last long…especially them cartoon boardies, I want those so bad.

Go to www.globe.tv for more.

2P

Crawl…Walk…Skate

Categories
Buzz Chart

Isis

Isis is a band that have not only fronted but also defined the genre of atmospheric metal over their 12-year career. And their new album Wavering Radiant is going to take the genre into even more territory. This album is an accumulation of all of their accomplishments over their long and innovative lifespan.

Ear pounding riffs are heard throughout the record, as well as trademark whimsical soundscapes that only Isis could pull off are in there plenty. But who could forget the intense vocals that are more predominant in this album than anything I’ve ever heard from Isis. They don’t blend into the background like previous works and lyrical content seems more important to delivering the message of the album. The music is truly unpredictable, sometimes building up to nothing, teasing you. The depth and layers of the sounds are hypnotic, combining great musicianship and an array of instruments with polyrhythmic structure. You can listen to it over and over again finding something new each time, whether it’s a little guitar lick or a sound that makes the whole thing a little bit more epic.

The whole album technically is 7 songs although it is split into 4 sections, with each section being like a journey. Eventually building up to the pinnacle of Threshold of Transformation. For die-hard Isis fans this is far from a disappointment, sticking to the formula they are so greatly known for. However it seems to focus on the softer more ambient side of their music, which certainly makes them more accessible and should bring in a few fans. At this point in Isis’ career the fact that they have stuck to their guns and played the music they want to play without trying to innovate what is already innovative is a great achievement on their part, which should be celebrated by fans and music lovers alike.

If you are into Isis’ earlier music that’s more focused on down tuned instruments and heavier music you may be a bit shocked by this record. However I urge you too try and be open minded with the songs and appreciate the true beauty they’ve achieved with this record. Even the title track Wavering Radiant which sounds like a collection of lightsaber noises has its own artistry. Wavering Radiant is possibly Isis’ best effort yet and if you want to sit down to 54 minutes of musical refinement this is the one for you.

Jonathan Teggert

Categories
Buzz Chart

Mono

Strange, beautiful, mesmerising, perplexing and vast. These are all words that can describe Mono’s new album Hymn to the Immortal Wind. 10 years into their career, this is their 5th studio album produced by the legendary Steve Albini. Recorded completely onto analogue, which is a strange thing for a band these days, but this type of music needs analogue to capture the beauty in its simplicity. No instruments really stand out, there is no overproduction, and everything blends together into one concoction of sounds.

Guitars are tremolo picked with furiosity while the orchestra plays and the crash of cymbals is heard in the distance. I feel like I’m sat in the middle of the band playing with sound coming at me from all directions. There are no distinctions between the instruments and its genuinely like being in a concert hall. This however isn’t a bad thing, if this music wasn’t just a giant soundscape it would be, but for this it just seems natural and right. The music will build up into a climax of epic proportions then fade right back out into a space of very little sound.

The musicianship is fantastic as the sheer self-control and precision required to create such a fine piece of music is brilliant. The amount of time and effort the band must have put into this album definitely paid off. Every note is in perfect time, no beat is missed and everything works. It’s like classical music for a younger, alternative generation. With orchestras playing distorted concertos while guitars ring throughout. This isn’t music that you like its music that you appreciate; you can’t not sit down and listen to the album without having your mind blown apart.

Although this isn’t the kind of music I’d regularly listen too the album is a strange sort of catharsis. I feel like I have experienced a range of emotions, the music plays so strongly and effectively it’s unavoidable. The album could be put on as background music in your living room or you could sit there for the full length analysing every noise made. It works on so many different levels and if you’re willing to be open minded then it’s worth a listen.

Jonathan Teggert

Categories
Buzz Chart

Weird Owl

Ever The Silver Cord Be Loosed is the new album from Brooklyn band Weird Owl. It’s nothing short of a psychedelic roller coaster taking your mind on ups and downs in strange and beautiful ways. Echoing through your brain like a vibrant acid trip.

The music is so clearly influenced by 60’s and 70’s psychedelic rock, combining bluesy guitars, somnolent vocals and spaced out synthesizers to create a sound that sends you off into a trance. The guitars are distorted, the solos are rockin’ and the beats are mellow. This kind of music hasn’t been done properly since the 70’s and only mildly influences bands now, with none really being true to the genre. But I feel that a lot of people will be glad to welcome it back especially when it’s being revived so well.

Even though you feel like you’re going on a trip to Woodstock the sound is still extremely coherent, as people need to chill out now more than ever. I feel that the band should attract an array of fans. From people who still carry the torch of psychedelia, to fans of more modern indie bands that take influence from this type of music. The plethora of sounds created on the album range from bands like Pink Floyd to the Pixies. Even the immensely popular Kings of Leon have a sound similar to Weird Owl at some points.

Songs like Do What The Owl Wilt and Skolopathing are like a sound that was created over 30 years ago but played in a new, raw way. The hallucinogenic music Weird Owl makes deserves to be popular as there’s a huge gap in the market for it right now. So if you want a lesson in mind expansion then listen to Ever The Silver Cord Be Loosed.

Jonathan Teggert

Categories
Skateboarding News

Shawn Patrick’s got it

Listen i know we are in London and this is the second post from Arizona today but we keep being fed bangers and you cannot ask for more. Check out Shawn Patrick‘s part in the Arizona Days video that just got sent in. Nice vibes for a Friday.

Categories
Skateboarding News

Jaws treats his old shoes

…to an Arizona view.

Categories
Skateboarding News

Brighten breezy on the coast

Tonight is the night that the ‘Brighten‘ DVD premier drops in Brighton courtesy of the Level Army. The film will be shown at the Sallis Benney Theatre from 7.45pm. Last minute tickets are available from ‘Another Skateboard shop‘ downstairs from Cool Hand Luke 29 Gloucester Road. Brighton. Get in.