Categories
Live Reviews

Unholy Alliance Tour – Slayer

London Brixton Academy
20.11.06

The forthcoming Iron Maiden/Trivium tour may have been billed by some as “the best metal night out of the year“, but it faces some pretty fierce competition in the Unholy Alliance tour; a five-band bill comprised of some of the finest contemporary US and Scandinavian metal bands, with a rejuvenated Slayer in the headline slot. This is the second of two sold-out nights at the Academy, and the sense of excitement and anticipation in the air is almost tangible.

That said, Thine Eyes Bleed can’t be best pleased at having to start their set at doors-opening time. The Canadian quintet feature a certain Johnny Araya (brother of Slayer’s Tom) on bass, and make for a welcome treat for those who arrive in time to see them. Sadly, their punishing thrash metal attack doesn’t sound quite as impressive when you’re listening from the queue outside.

Children Of Bodom have always infused their synth-laden black metal anthems with a wicked sense of humour, and the band taking the stage to the ‘Naked Gun’ theme is a sure sign that it’s business as usual in the Bodom camp. Clearly delighted to be here, singer/guitarist Alexi Laiho goads the growing crowd to greater efforts as he rasps his way through the likes of ‘Needled 24/7’ and ‘In Your Face’.

The crowd need no encouragement for Lamb Of God, however: the Virginian quintet whipping a furious moshpit into shape with all the subtlety of a sledgehammer to the brain. Not since Pantera’s mid-90s heyday has a band unleashed such a potent and sickeningly heavy brand of hardcore groove metal with such brutal confidence as LOG do tonight. New offerings from recent album ‘Sacrament‘ are already crowd-favourites in the making, whilst the closing standard ‘Black Label‘ threatens to shake the Academy to its foundations. Folks, this is Pure American Metal, and you’ll be hearing plenty more from these guys in the near future.

In Flames sound like a black metal band playing stadium rock (or should that be the other way round?), and look as if they’re playing atop a fairground ride, with the drummer flanked by an abundance of colourful flashing lights. It shouldn’t really work, but somehow it does, with huge choruses and solos pushing ‘Pinball Map‘ and ‘Crawl Through Knives‘ into genuinely epic territory. Frontman Anders Friesen’s between-song mumbling stalls the momentum at times, but overall these Swedes do themselves proud.

Slayer can’t really fail tonight, but it’s still breathtaking to see just how vicious and vital these thrash veterans sound, over twenty years into their career. Tonight’s show features Marshall stacks arranged in the shape of inverted crosses, plenty of eerie dry-ice effects, and – most importantly – a wet-dream of a setlist that mixes plenty of the band’s classic material with choice cuts from this year’s excellent ‘Christ Illusion‘ album.

There’s no let-up in intensity throughout; Tom Araya screaming his throat raw on opener ‘Disciple‘; Kerry King and Jeff Hanneman still the ultimate thrash metal guitar tag-team; and Dave Lombardo anchoring the whole operation with deadly accuracy. A punishing encore of ‘South Of Heaven‘ and ‘Angel Of Death‘ is proof enough that Slayer can still hold their own amongst today’s young guns. Senslaytional.

Alex Gosman
04.12.06

Categories
DVD Reviews

Exposing Headshots

(Overgreenland Productions)

Minneapolis/St Paul might not be the haven of hip hop as far as the global community are concerned – no doubt it’s the metropolises of Los Angeles and New York in the minds of most. But for those of us who like to dig a little deeper, it is the Twin Cities in Minnesota that are currently bringing the world of hip hop to its knees.

Austyn Steelman came across it by chance, on a visit to her mother, when she went to Fifth Element, a record shop owned and run by Rhymesayers Entertainment which is the core of the hip hop scene in the cities. The beauty of visiting this store was that at any given time any number of rappers or producers will be there, and in the case of this DVD, you’ll get to hear the views of Los Nativos’ Felipe from the store and see his freestyling with Eyedea.

The other people interviewed are Atmosphere’s rapper Slug, DJ Abilities and the mainstay of the Hecatomb crew and friend of Rhymesayers, Carnage. What this documentary does well is find out how the scene differs from the usual NYC/LA stories, with Felipe explaining how the sound differs due to the different scenery, lack of skyscrapers and close proximity to the countryside.

You are able to learning about their histories too, from Eyedea’s days with the Battle Cats breaking crew through to how they make their records, with DJ Abilities’ views on exploring sound particularly interesting. What stands out as a big positive for me is that Steelman has focussed not just on Atmosphere, the big group that are well established, but also the smaller acts, like Los Nativos who are a great group in their own right, and given us a more rounded idea of what it’s like to grow up and mature in the hip hop scene in Minneapolis.

This DVD is certainly one for the underground hip hop fans, so get on over to the website and order your copy right now!

Abjekt

Categories
DVD Reviews

Black Label Society DVD

‘The European Invasion – Doom Troopin”
(Eagle Rock Entertainment)

Black Label Society are definitely a man’s metal band. Not for them the dark romanticism of bands like HIM or the art-metal musings of Tool; these guys are all about the booze, beards and powerhouse riffs. One of the first things you’ll notice on this DVD is that whenever frontman/guitar hero Zakk Wylde isn’t playing his instrument, it’s usually because he’s drinking a beer.

‘The European Invasion…‘ is essentially a documentary of Zakk and his heavy metal brethren’s tour of Europe in mid-2005 (with bars, liquor stores and brothels marked out on their map), featuring over 3 and a half hours of live footage and various behind-the-scenes clips.

The first disc consists of a full-length show recorded at Paris’ Elysee Montmartre, as well as a handful of tracks from a London Astoria show. Right from the start, this is good ol’ no-nonsense, headbanging fun – a feast of prime-era Sabbath riffs and Pantera-esque grooves, topped off with Zakk’s whiskey-soaked howl and jaw-dropping guitar acrobatics. Sure, it all gets a bit repetitive by track 10, but if your stereo isn’t cranked to floor-shaking volume and your brain isn’t fully disengaged by then, then BLS are probably not for you.

The second disc features promo videos for recent tracks ‘Fire It Up’, ‘Suicide Messiah’ and ‘In This River’ (all replete with suitably dark imagery and plenty of fire/explosions) and various clips of tour and festival footage. Other highlights include a couple of interviews with Zakk,
a short clip of him lifting weights with his young son Hendrix (wahey), and footage of an almighty row between band and stage manager backstage in London.

It’s good to see that Black Label Society have taken the time to make this so much more than just another live DVD, especially given the loyalty on show from their patch-wearing fans. Now toss me a cold one, motherfucker.

Alex Gosman

Categories
Upstarts

Alterkicks Interview

Alterkicks are the new Scouse spice to hit the nation. Forget the Zutons, they’re old news. Liverpool has much more to offer, and the Alterkicks are top of the city’s music menu.

From bizarre cannibal hitch hiking tales to tingling ghost songs, the Alterkicks have a fine selection of music coloured with often eccentric lyrics. But they are not fresh out the garage set-up. It has taken three years for this five-man band to perfect their sound and step out of Scouserville onto the UK stage with a record contract and a solid reputation behind them.

Rebecca Geach popped down to the London Forum, where The Automatic supported by Alterkicks, Jack Turner and Viva Machine, were playing their last tour date, to catch up with the band.

Where did the name Alterkicks come from?

An 8 hour conversation with Mike’s (Mike Oates-guitar) sister’s boyfriend. He was a tarot card dealer, and told us after a long meditation that we had to be called the Alterkicks.

Which other bands do you most look up to?

We admire bands such as the Smiths and Radiohead who have gone against the grade to be original.

Where do your songs come from?

Our music originates from each of our individual personalities really. Martin (Martin Stilwell-vocals) writes most of the lyrics, but we are all very good at fulfilling our roles as musicians. Therefore when we play, we play with instinct. We don’t discuss it, it just comes. We miss composing at the moment because we’ve been on such a long tour. We’re looking forward to getting back home and coming up with some new stuff.

As the years go by and you’re becoming more recognised is it getting harder to come up with new musical material and to maintain your originality?

No, actually it’s getting easier. We’ve not been around long enough to start losing our edge, so we’re still very musically virile. It’s just hard work recording-it takes a long time!

What’s the most annoying thing about becoming increasingly well-known?

We hate the way journalists keep comparing us to other bands such as the Zutons. Just because we come from the same city doesn’t mean we sound like them. It gives no credit to our originality and is lazy journalism.

What are your audiences like and where are the best places you’ve played so far?

We’ve had a good reaction from most of our audiences, and are finding now that we have a following which keeps growing as the word about us spreads. We see the same faces popping up over and over again. We had a good gig in Cambridge and a fantastic one in London with Scarlet. Perhaps the best though was one we recently played in Glasgow. We played well and the Scots were really up for it. We were beaming afterwards.

How and when did you get recognised and signed up?

There was a lot of hype for one and a half years. Our first big gig was the Manchester Academy Unsigned. There were a lot of proud handshakes after that. It really hit us though after we played in the Zanzibar in Liverpool with some other bands about a year and a half ago. The place was packed out and people were really excited. We were finally signed up four months ago with B-Unique Records. They saw us one day and signed us up the next.

What’s it like touring with The Automatic?

It’s great. They’re lovely boys and a genuinely very good band, and they’re especially powerful when they play live.

So what’s your ultimate goal as a band and as musicians?

We want to make good music which we’re personally proud of, not for critical acclaim. We’re just doing it because we enjoy it. We can’t predict if anyone else will like it…Also…we’d like to bring about the Big Crunch with the C note of course. Then a new universe will be formed, and the next generation will have to create new music…

Okay guys. Whatever you say!

Alterkicks’ single On Holiday is out 13 November on B Unique records and the album should be out next spring. The Alterkicks are: Martin Stilwell (vocals), Mike Oates (guitar), Gareth Padfield (guitar), Mark Yari-Gerrard (bass) and Oliver Hughes (drums).

Check out the band’s myspace at www.myspace.com/alterkicks or their website at www.alterkicks.com

Categories
Music News

Abjekt in video extra scoop!

Crossfire is the place to come for all the hook ups. Not content with being the hip hop writer and radio host on the hip hop show here at Crossfire, Abjekt decided to pop up in a video for the new single by Rhymesayers-signed Doomtree member P.O.S.

The track, Bleeding Hearts Club, which features Slug of Atmosphere, is taken from P.O.S’ second album Audition and you can see our very own little scamp appear as the bell-hop in a few shots alongside a whole host of Minneapolis rappers [including most of Doomtree!].

Even if you can’t see him, this video is definitely Abjekt Approved and should be viewed again and again and again.

To check the video out, click right here.

www.rhymesayers.com

Categories
Music News

Only Crime album news

Hardcore stars Only Crime will be releasing their new album, Virulence, in late January as the follow up to their debut album To The Nines. The album will be released on Fat Wreck Chords and the tracklisting is as follows:

1: Take Me
2: Everything For You
3: Shotgun
4: Eyes of the World
5: Now’s the Time
6: In Your Eyes
7: Just Us
8: There’s a Moment
9: This is Wretched
10: Too Loose
11: Framed Then Failed
12: Xanthology

www.fatwreckchords.com

Categories
Music News

Aesop Rock album news

Def Jukie Aesop Rock recently updated his myspace blog to let everyone in on his upcoming album, which will be called None Shall Pass, and is due out in the first part of 2007.

The beats on the album will be produced by Blockhead [7 tracks], Aes himself [5], El-P and Rob Sonic [1 each] with DJ Big Wiz on the turntables throughout the record. Expect to hear from El-P, Cafe, Camutao, Breeze Brewin’, Rob Sonic and John Darnielle vocally in parts.

Lyrically, Aes has said that he feels like he actually wrote something because its “really visual shit” and that the tracks are all stories which represent “different time periods in one’s life”. Regardless, it’s Aesop Rock, so we’re all gonna check it out now aren’t we?

www.definitivejux.net

Categories
Music News

Stooges Album release date!

The much anticipated new Stooges album, The Weirdness, will be released in March on Virgin it has been announced. It will be the band’s first proper release in over 30 years and will contain tracks such as ATM, You Can’t Have Friends, Free And Freaky and Greedy Awful People.

Iggy Pop said “At times, [the songs have] a lot of going for the fences, but there’s a great deal of structure and attention to detail. We were very prepared, and we always have been any time we stepped into a studio.”

It is expected that the group will tour the new record in Spring next year.

www.iggypop.com

Categories
Music News

Good Shoes video!

Good Shoes, in preparation for their Christmas Day single release, have unleashed the video to the track, The Photos On My Wall. You can check it out by clicking on of the links below. In addition to this, the group have announced some UK tour dates, so get yourself along to one of these!

December:

27th – Pressure Point, Brighton
28th – The Peel, Kingston
29th – The Social, Nottingham
30th – Pure Groove In-store, London

Video links:

Quicktime
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Windows Media
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Real Player
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www.goodshoes.co.uk

Categories
Live Reviews

Backyard Babies – Live

Mean Fiddler
23.11.06

In terms of publicity, it’s arguably preferable for a band to incite feelings of either love or hate from their audience, as opposed to mere indifference. Towers Of London definitely reside in the former camp, but tonight they’re an aloof, uninspired shadow of their usual snotty-nosed selves.

With notoriously volatile singer Donny Tourette seemingly anchored to his mic stand for the first few songs. ‘Air Guitar’ and ‘How Rude She Was’ go down predictably well with the Towers faithful, but there’s just not enough fire in their performance to tempt anyone else away from the bar.

Fact is, the Backyard Babies do this kind of thing far better, and boast more than enough trashy sleaze-punk anthems in their armoury to unleash a virtual greatest-hits set on this adoring crowd. It matters little that their Hanoi Rocks/G’n’R/Ramones shtick has changed so little in the last few years, when old favourites like ‘UFO Romeo’ and ‘Star War’ rub up so well against choice cuts from this year’s excellent ‘People Like People Like People Like Us’ album. The sight of singer/guitarist Nicke Borg breaking out an acoustic guitar for ‘Roads’ is a relative surprise, but otherwise these Swedes are heads-down rock n’ roll fun of the highest order – and they could certainly teach today’s young pretenders a lesson or two in longevity.

Alex Gosman