Morrissey is planning on working on a new album.
The singer recently said in an interview that as soon as his current tour is over, he will begin recording new material. He stated that it’s written and ready and went on to say that he’s “outside the mainstream, and the mainstream never let me in.”
Well, that’s bound to cheer you up in all this grey weather…
CSS have announced some new winter tour dates.
The Brazilians will be playing a number of dates from December 2nd onwards with electro juggernaughts Justice supporting on the 2nd-8th gigs. Joe Lean and the Jing Jang Jong will be the support for the dates on December 10th-20th. The full dates are:
2nd – Leeds University
3rd – London Brixton Academy
4th – Manchester Academy
5th – Glasgow Academy
6th – Bristol Academy
7th – Birmingham Academy
8th – Nottingham Rock City
10th – Dublin Olympia
11th – Oxford Academy
12th – Newcastle University
13th – Stoke Keele University
14th – Brighton Dome
17th – Cambridge Corn Exchange
18th – Liverpool Academy
19th – Sheffield Leadmill
20th – Portsmouth Pyramids
Brother Ali‘s new video, for the single Take Me Home taken from this year’s The Undisputed Truth, has made its way online. It’s the sort of track we like to play at Crossfire to forget about the grey skies and rain. See if you can spot some other Rhymesayes in the vid…
Dillinger Escape Plan have had to cancel their upcoming tour again.
The reason for this second cancellation is the breaking of Ben Weinman’s foot which occured during the filming of the band’s new video. The band said:
“He of course was ready to go out and kick ass with a cast on his foot, which we seriously considered for a second, but figured we’d wait til he could actually kick ass with both feet just in case he did further damage to his foot, which he certainly would have.”
The band’s new album Ire Works is due for a mid-November release and they plan to re-arrange the dates as soon as they can.
Our mate Gav over at Xynthetic just mailed us to say he’s just snapped a new Banksy piece down his way in Brizzle.
The art is on Park Row down there and we reckon Gav and his mate Rich have the first dibs online breaking the news, so we’re going to offer you sloppy seconds on it.
Coheed & Cambria, who we recently saw taking over the Islington Academy, have posted the first video from their new album Good Apollo, I’m Burning Star IV, Vol. 2: No World For Tomorrow which is set for an October release. Check it:
Talib Kweli and Hi-Tek are set to join up again for a new record.
Producer Hi-Tek, who produced the majority of tracks on Kweli and Mos Def’s Black Star album, teamed up with the rapper as Reflection Eternal on Rawkus Records. In the years since their Train Of Thought album, the two have been releasing solo albums, but Hi-Tek recently said:
“We are definitely are doing [an album]…We both are trying to get back together on a really good note, as opposed to just doing it for the business.”
The Charlatans are to make their new album available as a free download.
The band will release the album via the XFM website and the first single will be available from www.xfm.co.uk from October 22nd. The album, which is also going to be featured on the band’s official site, is being mixed and is set for a 2008 release.
The band are also set to play the following dates in November:
3rd – Glasgow ABC
4th – Manchester Ritz
5th & 6th – London Shepherd’s Bush Empire
Agnostic Front have posted two new songs online.
The hardcore band have put the tracks Dead To Me and For My Family up on their MySpace page and these tracks will be featured on their upcoming album Warriors which is due out this year.
Named after a children’s book, Tilly And The Wall produced an unsung highlight of 2006 in their second album ‘Bottoms Of Barrels‘; a joyous mix of indie, pop, and folk that could soften the hearts of the hardest of cynics.
The Nebraska quintet are notorious for forsaking traditional percussion in favour of the amplified tap-dancing skills of Jamie Williams, and Alex Gosman caught up with her for a quick chat just before the band’s recent show at London’s Electric Ballroom.
How’s the tour going so far?
It’s been a ton of fun! It’s a pretty short tour this time around, but over the last week we’ve been going around the UK, and London is one of our favourite places to play, so we’re very excited to be back!
How on earth do you have the energy to tour so much? I think you’ve been to the UK about five times in the space of a year!
Well, we’re actually taking a break after this – we’ve just cancelled a US tour, and instead we’re going to stay home and work on the next record for about five months. We’ve been touring for almost 16 months straight, so it’ll be good to get home, but we’ve had a great time being able to travel so much on tour!
The last time you hit the UK, you were touring with CSS – how did that go?
Oh, that was amazing – it was so much fun, CSS are all lovely people and we all love their music. We’ve been friends with them for a while, so we had loads of fun together, and the crowds were awesome too. Great memories!
You released ‘Bottoms Of Barrels‘ about this time last year; are you happy with how the fans have received it, and is there anything that you’d have done differently with it, in retrospect?
Well, there’s always things you’d do differently – especially as we’re all perfectionists! But I’m still really happy with it, and we had a lot of fun making it, because it was the first time we’d been able to record in a proper studio. We had access to all this amazing equipment, and we had our friends coming down and hanging out, so it was a great experience.
So how does the songwriting process work with Tilly? Is there one main songwriter, or do you all write?
Yeah, all five of us write songs…but there isn’t really one particular way in which we do it. It depends who’s writing the song – for example, I write mine on guitar, Nick [keyboard player] writes his on the keyboard – and often it isn’t a full song, just a rough idea. Sometimes I write my tap part early on, sometimes it’s the last thing I do. Generally, if someone comes up with an idea, then we’ll all work on it together and see what we can do with it!
Speaking of your tap-dancing talents…do you ever get tired of being known as ‘that band with the tap-dancer’?
Not really, because that is what we are! It did kinda annoy me in the beginning, because it seemed to be the focus of the band; but I soon embraced it, because I love tap-dancing and I feel very lucky to be able to use it in this way. And it does help to get us press, which is always a good thing, and I don’t think it would really matter if we didn’t have the songs to back it up! So if the tap-dancing is like a gateway for people to hear our music, then that’s totally fine with me.
And how about musical influences? It’s hard to pin your sound down to a particular genre…
Well, we all grew up with different music, so the songs do kinda reflect that! I grew up listening to a lot of 80s pop – Wham, Hall & Oates, Madonna – and I like indie music too.
Derek [singer/guitarist] is a big fan of songwriters like Bob Dylan, and the Velvet Underground, and Kianna [singer/bassist] really likes punk and metal music – so we all bring together lots of different-sounding ideas!
Cool, well that’s nearly it…but here’s a slightly strange question to finish! There’s two guys and three girls in Tilly And The Wall; have you ever thought about getting a Great Dane, and driving around solving mysteries in your spare time – à la Scooby Doo?
Haha, that’s a great idea! But I don’t think such a huge dog would be too happy in our van! I would like to get a little dog to bring on tour when we actually have a proper, permanent tour bus. Maybe it could wear a little sparkly top hat or something, and become the Tilly mascot!
[‘Bottoms Of Barrels‘ is out now on Moshi Moshi Records. Check www.tillyandthewall.com for more info.]