The Black Lips have a lot to answer for. Not only do they start riots, piss on themselves and release mostly good but some bad records, they seem to have also inspired this Texan outfit The Strange Boys to follow in their footsteps.
They are certainly not as sexy as the Atlanta outfit and musically they are more sedative but this album should keep you happy if you like a mix of country-led lo-fi, garage. Be Brave is their new album released on Rough Trade Records on 22nd Feb and if you like this, they will be in the UK throughout April at the following dates – stream the full album below:
Thursday 15th April – Leeds – Nation of Shopkeepers Friday 16th April – Glasgow – Nice ‘n’ Sleazy’s Saturday 17th April – Manchester – Deaf Institute Sunday 18th April – Birmingham – Academy 2 Wednesday 21st April – London – ICA Thursday 22nd April – Brighton – Freebutt Saturday 24th April – Southampton – Lennon’s Club
The condensed story of the creation of the first park on the tiny Mediterranean island of Malta in the edit below is just part of a fascinating and heartwarming piece about the history of skateboarding in Malta which you should really check out here.
What makes it of particular interest to UK skaters is that legends Stevie Thompson and Paul Silvester both lived there and contributed heavily to the scene.
Say goodbye to the next half hour of your life.
(ps- anyone interested in finding out more about the Bulgarian/ UK dimension of the Maltese story may be interested in a feature in next month’s edition of this mag).
The recent release, The Wolfman is a remake of the 1941 classic of the same name. When the word remake is used, it is not a new aged remake bringing the werewolf myth to the present day, but once again set in the 1800’s.
The main man of the film is Benicio del Toro. His character, a travelling actor by the name of Lawrence Talbot returns to his childhood home when his brother goes missing, latter found militated. Refusing to leave until the truth behind his brother’s death is resolved, he finds himself in a world where the werewolf legend comes to life and as a result must fight to save himself, his father and his brother’s other half.
Imagine the fear and shock you experienced upon first seeing films such as Werewolf in London and Paris and you will have some degree of understanding of how this film will make you feel; especially in regards to the first time you see the human/werewolf transformation. The opening instantly grips you attention with the first killing by the werewolf, no long dragged out tales just instant werewolf activity, which was appreciated. The next hour or so zooms past with murders or more precisely mutilations of bloody corpses, arms ripped from bodies, insides shredded and throats torn out…which is what you would expect from a film about werewolves! However it is the last half of the film that seems on drag on a bit. Once the identity of the werewolf is established, police are on a wolf hunt and don’t seem to be getting very far in capturing the beast. It gets to the point where you just wish the concluding climax would begin; when it does, those minutes you were beginning to bore simply fade away and present a fight to the death.
As you would expect there are some very vicious killings, some gruesome images and bloody visions in the film, which if you are a lover of horror such as werewolves and creatures of the night you will be thankful for as it give the film so much depth and keeps you eyes glued to the screen. Anthony Hopkins is memorable for his role of Hannibal Lecter and will likely achieve a similar status as Sir John Talbot, Lawrence’s father as well as an unexpected player in the werewolf tale. Alongside Benicio del Toro as his son, there is a shaky relationship that is bought to an end, in more ways than one.
The Wolfman may not have been adapted to a more present day setting, which is typical of many remakes, but it will certainly leave you feeling satisfied.
Noisy Vancouver duo Japandroids have announced their plans to release a five-part 7” series thoughout 2010.
Each single will include a previously unreleased track and a cover song, and will be released through Polyvinyl. The first single, Art Czars, will be released on April 12th backed with a cover of Big Black’s Racer-X.
Meanwhile Japandroids have announced yet another UK tour in May, in addition to their shows across the country next week.
Those dates in full are;
February
Monday 22nd – Freebutt, Brighton
Tuesday 23rd – ICA, London
Wednesday 24th – Cockpit 3, Leeds
Thursday 25th – Deaf Institute, Manchester
Friday 26th – King Tuts, Glasgow
Saturday 27th – Korova, Liverpool
May
Thursday 13th – Saturday 15th May – The Great Escape, Brighton
Monday 17th – DiScover @ The Harley, Sheffield
Tuesday 18th – Jericho, Oxford
Wednesday 19th – Joiners, Southampton
Thursday 20th – The Garage, London
South Bay punks Pennywise have officially announced that their permanent new singer will be Zoli Teglas of Ignite.
After months of searching, the band eventually settled on Teglas; a long time friend of the band and former touring partner. Pennywise are currently working on their first album with the new look line-up and are set to play a handful of dates in May;
May:
11th – Bristol, Academy
12th – Leeds, Academy
13th – Newcastle, Academy
14th – Glasgow, ABC
15th – Birmingham, Academy
16th – London, Shepherds Bush Empire
That’s right Heshers, it’s a night of Thrash Metal in the Engine Room, and there’s a decent turnout considering it’s a shit awful cold and windy Monday… so let’s mosh.
Brighton’s own Crypsis are already on when I arrive. Com-padres who’ve seen them have given super-positive words on these lads, and after a 30minute blasting I can confirm they are an excellent trio, cranking out slick and powerful Thrash-jams totally faithful to it’s roots, and executed with much precision and force. I didn’t see too many of these bands back in the Eighties, but of those I did – I know that Crypsis could easily have held their own. And it’s inspiring to see kids still getting pumped for, what is still essentially, outsider music. Fly-by-night fashionistas will try to score credibility referencing Metallica and Slayer… but the likes of Crypsis, and their enthusiastic following, are the Real Deal. They leave the stage to a huge roar of appreciation from the crowd, who, if they weren’t familiar with them before… are now.
Cannabis Corpse, from Richmond Virginia , is the bong-term vision of Municipal Waste bassist Phil Hall, his (drummer) brother Josh, and two other cohorts. They play straight ahead fast ‘n heavy Death ‘n Grind that satisfies the pumped up crowd… yeah – the ‘Corpse easily delivers. Given the bands name, you don’t need to be Einstein to work out that these boys dig their weed as much as their Grind, and arrive on stage informing us they are already under a heavy toxic fug. And the songs, yeah – they all seem to be related to their favourite pastime too… as I recall there was one about having a weed addicted pregnant girlfriend called Smoking for Two and another about sharing buds in a graveyard, and on and on it went…
Great pairing of bands, and good night out – even for a pot-free no-metalhead like me, ha!
For those of you collectors who appreciate deck collabs look no further than the new limited-edition series Alien Workshop collaboration with The Andy Warhol Foundation for the Visual Arts, Inc.
There are ten iconoclast pro decks, five with works from Warhol’s Death & Disaster Series and the remaining five complete with his iconic Pop works, the complete set is shipped in custom printed board box packaging inspired by Warhol’s box sculptures from the 1960’s.