Categories
Live Reviews

SSS – Live

The Old Blue Last, London
12/07/08

The Old Blue Last. Home to “uber awesome” Vice magazine readers and “too cool for school” crowd in skinny jeans standing around being, well….cool. Tonight this venue plays host to a line up of no nonsense misfits from Merseyside. The pioneers of the modern day UK thrash movement; SSS are back in town and ready to tear this place a new arse.

First on were generic xHARDxCOREx outfit Ambush who showed enthusiasm for what they were doing and played reasonably well. However they failed to muster anymore from the crowd than your run of the mill annoyed vegan with crossed arms nodding his head in the corner of the venue. Right on, brother.

Dirty Money were up next with their own brand of straight up, huge chip on your shoulder, hardcore. With rants before songs about the lack of government, wrongful arrests and the death of a good friend, front man Graham and co clearly have an agenda and have no hesitation slapping you in the face with it. The songs are hard, fast and abrasive and are exactly what people paid in to see.

The real gem of the night came when Cold Ones held the stage hostage with lead singer Russ, tonight, dressed as a priest holding court with the masses. This band display such intensity and unpredictability on stage it’s almost like watching somebody with Parkinson’s juggle with Molotov cocktails. Cold Ones grab you by the balls and drag you kicking and screaming into the gutter with them. Ace!

With drummer Dave out of action, SSS are a man down tonight. Regardless they still take to the stage with a drum track being supplied by an mp3 player and Dave’s bed bound body, head banging onstage via the medium of a portable TV. Foxy still bounds into the crowd to flex his obnoxious front man muscle like only he can. Spitting out the words to ‘Damaged Goods‘ and ‘Thrash With A Small Moustache‘ in the faces of the audience members who seemed even the slightest bit bored and shoving the mic down the throats of people who weren’t.

Unfortunately SSS only manage five tracks this evening due to their drummer being replaced by an I-pod (or as Foxy pointed out “It’s not a fucking Ipod!! It’s a fucking creative!!!”) and a TV Monitor. Regardless of the unfortunate timing of this tour / illness, SSS are always a pleasure to see. Digital drummer or not.

This night of successful sets continued with the Down & Outs stepping up to fill the headline slot in the absence of a fully fit SSS. Bass player Magill is on double duty tonight playing guitar for this outfit. (We later found out he had to be back in Liverpool for work at 9AM the next day. Rock n’ roll!) The ‘boys from the black stuff’ deliver a host of songs which have you toasting the sky and singing along with all choruses if you know the words or not.

Upstairs in the Old Blue Last was left in a pool of beer and broken glass. As it usually is when SSS come to town. Luckily for the people in attendance they brought a few mates, who play in awesome bands, to share to the stage and fuck the place up with. Nice.

Tom Lindsey

Categories
Skateboarding News

Globe Slamtrick 08

On what looks like a skatepark put through a child’s kaleidoscope, this year’s Slamtrick in association with Globe Footwear was a real hum-dinger.

Look out for some crazy antics on behalf of Ben Raemers, Neil Smith, Daniel Cardone, Severin Von Ow and various other European shredmonkeys.

Check it HERE.

Categories
Skateboarding News

Chad Win Win

Chad Tim Tim is bangin’. If you want proof, head over to The Berrics and try not to spill your cornflakes.

360 shove it nosemanual! Oh my.

Categories
Film Reviews

Mamma Mia!

Universal Pictures

When you hear that a movie adaptation of a West End stage musical is being produced and will contain non-stop ABBA hits, you either shout with enjoyment, or frown with annoyance. This reviewer did neither, she held her head up high, kept an open mind and I am incredibly glad that I did.

With a cast of many familiar faces and a few new ones, this film provides moments that can only be described as tingles through the soul, sensations that make you shed a tear and songs that make your mouth drop and you skip a breath.

The films plot is quite well known. Sophie (Amanda Seyfried) lives on a small Greek Island with her mother (Meryl Streep) running a hotel. With the wedding to her fiancé (Dominic Cooper) getting closer, like most girls, she wants her father there to give her away. The question is, who is her father, as it has always been kept a secret. After a quick peek in her mother’s old diary, Sophie comes to realise that there are a possible three suspects; Sam (Pierce Brosnan), Harry (Colin Firth) and Bill (Stellan SkarsgĂ„rd). To find out which one it is, she invites all three to the wedding. With none of them knowing anything about each other, or her for that matter, you can guess things are not going to go as planned.

One of the main aspects that I found to be of great importance and an amazing feature are the relationships that play out though the film. Sophie begins desperate to know her true identity by learning who her father is, but by the end this doesn’t seem such an important aspect. On the reveres side, her mother’s determination to be alone changes when she gets told some home truths.

When you hear that stars such as Pierce Brosnan, Meryl Streep and Colin Firth among others are going to be in a flick where they are going to sing ABBA songs you wonder whether they can pull it off. The answer is a very big YES. The most amazing thing though isn’t the vocal chord of such actors, but the facts that the methods and places in the film where the tracks are used are remarkable. Take for example the presence of ‘Money, Money, Money’ when the diminished hotel is mentioned, or ‘Lay All Your Love on Me’ when Sky and Sophie are getting romantic. The way each of the tracks settles within a specific section of the film is precise and fits like icing on a cake.

You will be amazed and touched when you are watching this breath taker of a flick. Watch out for the hidden presence of Benny and Bjorn in uncredited roles. I wont give two much away but see if you can catch them.

Michelle Moore

Categories
Skateboarding News

Download Puzzle July/August Free!

The latest issue of Puzzle is now available online for absolutely nothing. No monies needed. They have chosen some belting tunes from Parisian label Ed Banger for the soundtrack; the end result is pretty stimulating!

Head over to www.puzzlevideo.com and get your grubby mitts on it.

Categories
Skateboarding News

More Tricks Less Politics

Out of the abyss and into the fire, with all the fury of a hundred aped up saber-toothed cobras behind the wheel of a nitro-fueled fire chicken on a death race to nowhere, comes Factor 54.

Andrew Thompson just joined their team and he loves life with double everything.

Categories
Live Reviews

Peter and the Test Tube Babies – Live

Engine Rooms, Brighton
05.07.08

Self proclaimed “local heroes” Peter and The Test-Tube Babies take to the stage and launch in to “Moped Lads” from their debut seven inch (on No Future Records) – probably the funniest ode to teenage revheads on 50cc’s that anyone’s ever bothered to commit to vinyl. Singer Peter is the only original member at present, with guitarist Del away on tour managing duties, but his place is taken by brother Walnut, and augmented by second guitarist Andy “Aggro” another long time fixture on Brighton’s music scene, and their dual guitar attack works really well, adds a heavy edge.

With the exception of two songs from their most recent album (“Footfull of Bullets“) the 45minute set is chock full of pissed ‘n proud blasts from the past… “Up Yer Bum” “Run Like Hell” “Never Made it to The Bog on Time” “Banned from The Pubs” “The Jinx” “Blown out Again” a very theatric “Maniac” and the ace… “Spirit of Keith Moon“… the songs of my youth, and still sounding a lot of fun in middle-age! The Test-Tubes are often maligned for their ‘comedy punk’ and less than serious subject matter… but lets not forget, they’ve been at it now since ’78, and will leave behind a legacy that a zillion sobersided and more business minded acts can only dream of.

With singer Animal the only original member of Tunbridge Wells bikers Anti-Nowhere League, it occurs to me that this bill could have been a ‘One Original Member presentation’… but all things considered the frontman is looking in terrific shape and stalks the stage in the same menacing fashion, howling and growling at the moon. Back in the day I went as far as their debut LP (“We are The League“) plus early singles… up to “For You“. And it’s from those very records that a bulk of their set is drawn. I’ve not heard these songs in ages, and they still sound pretty ok with the band banging out their Punk Metal to a mighty appreciative crowd. Of course it’s “So What” their most notorious song, and – Animal as good as admits…his meal ticket over the years – that gets the wildest response, along with the track that accompanied it on their first single, “Streets of London“… gawd knows what Ralph McTell made of it all! There was a latter day song called “My God’s Bigger than Your God” which managed in a raucous 3minute rockNroll number to pretty much nail the idiotic nature of organised religion. I say Amen to that!

True Story; Last time I saw these two bands on a bill together was in 1981 at Brighton Top Rank, just a stones throw from tonight’s shindig. I headed home feeling Jurrasic…

Pete Craven

Categories
Film Reviews

Wanted

Spyglass Entertainment
Universal Pictures

When apathetic office slave, Wesley, finds out that he is the son of “the world’s greatest assassin” he is thrown into a quandary. Does he give up on his insignificant life; stuck in his cubicle, bullied by his hideous boss, aware that his girlfriend and best friend are at it like rabbits behind his back, whilst suffering severe anxiety attacks, or does he leave it all to become a super assassin and avenge his fathers death. It all seems very “Fight Club“, Wesley’s voice over especially at the beginning of the film, and his inner monologue throughout the training montage and clichéd fight sequences.

However this film, unlike the original comic books, finds Wesley being thrust into an “ultra-violent” but sickly moral secret brotherhood, named The Fraternity. The Fraternity is a top-secret organisation that finds the future scum of society through stitches in fabric. Once a name appears it’s the assassins’ job to take them out of the picture before they have the chance to kill an innocent, “Kill one and maybe save a thousand. That’s the code of the Fraternity.”

Wesley quickly takes to the lifestyle as super-assassin, and the film nicely builds towards the predictable but climactic final face-off between good and bad. The film keeps its tempo with the fast then slow camera action, a la ‘The Matrix‘ bullet dodging. The director, Bekmanbetov, also throws in a very cool visual approach to what is basically, rewinding which involves film being sped up, slowed down, rewound and digitally distorted. But it’s generally in these sequences of visual displays you can’t help but compare it to ‘Fight Club‘, particularly one scene which involves teeth and a computer keyboard.

It is a well directed, action thriller that manages to bombard the audience with adrenaline soaked, pulse-pounding cinematic viewing. Some of the best bits are the smallest details, like Wesley’s anxiety attacks; you genuinely feel that loud uncomfortable pulse in your ear, like you’ve been stood next to the worlds biggest amp and when you move away from it, you can still hear that dull thud. Despite the obvious copycat visuals, a twist which isn’t predictable but still conventional, the film is still constantly watchable and has enough violence and movement to make up for the rather daft back-story (wait for the giant loom).


Emily Paget

Categories
Music News

FFAF Free Download

In preparation for Funeral For A Friend’s fourth album, ‘Memory And Humanity‘, out October 13th, the single, ‘Waterfront Danceclub‘ is available for fans to download for absolutely nothing.

Head over to www.waterfrontdanceclub.com and find your tune that you can then keep forever and ever and ever and ever.

See what Matt Davies has to say about the song below…

Categories
Music News

The Prodigy Re-Experienced

The Prodigy are set to reissue the classic albums ‘Experience‘ and ‘Music For The Jilted Generation‘ with a slick bunch of b-sides and remixes to go with ’em on a bonus disc. If any album deserves to be re-released then I’m sure you’ll agree that these two are of top priority.

Charly says, always make sure your album is absolutely fucking awesome before you reissue them

Charly always speaks the truth y’know…

www.theprodigy.com