The Old Blue Last, London
12/07/08
The Old Blue Last. Home to “uber awesome” Vice magazine readers and “too cool for school” crowd in skinny jeans standing around being, well….cool. Tonight this venue plays host to a line up of no nonsense misfits from Merseyside. The pioneers of the modern day UK thrash movement; SSS are back in town and ready to tear this place a new arse.
First on were generic xHARDxCOREx outfit Ambush who showed enthusiasm for what they were doing and played reasonably well. However they failed to muster anymore from the crowd than your run of the mill annoyed vegan with crossed arms nodding his head in the corner of the venue. Right on, brother.
Dirty Money were up next with their own brand of straight up, huge chip on your shoulder, hardcore. With rants before songs about the lack of government, wrongful arrests and the death of a good friend, front man Graham and co clearly have an agenda and have no hesitation slapping you in the face with it. The songs are hard, fast and abrasive and are exactly what people paid in to see.
The real gem of the night came when Cold Ones held the stage hostage with lead singer Russ, tonight, dressed as a priest holding court with the masses. This band display such intensity and unpredictability on stage it’s almost like watching somebody with Parkinson’s juggle with Molotov cocktails. Cold Ones grab you by the balls and drag you kicking and screaming into the gutter with them. Ace!
With drummer Dave out of action, SSS are a man down tonight. Regardless they still take to the stage with a drum track being supplied by an mp3 player and Dave’s bed bound body, head banging onstage via the medium of a portable TV. Foxy still bounds into the crowd to flex his obnoxious front man muscle like only he can. Spitting out the words to ‘Damaged Goods‘ and ‘Thrash With A Small Moustache‘ in the faces of the audience members who seemed even the slightest bit bored and shoving the mic down the throats of people who weren’t.
Unfortunately SSS only manage five tracks this evening due to their drummer being replaced by an I-pod (or as Foxy pointed out “It’s not a fucking Ipod!! It’s a fucking creative!!!”) and a TV Monitor. Regardless of the unfortunate timing of this tour / illness, SSS are always a pleasure to see. Digital drummer or not.
This night of successful sets continued with the Down & Outs stepping up to fill the headline slot in the absence of a fully fit SSS. Bass player Magill is on double duty tonight playing guitar for this outfit. (We later found out he had to be back in Liverpool for work at 9AM the next day. Rock n’ roll!) The ‘boys from the black stuff’ deliver a host of songs which have you toasting the sky and singing along with all choruses if you know the words or not.
Upstairs in the Old Blue Last was left in a pool of beer and broken glass. As it usually is when SSS come to town. Luckily for the people in attendance they brought a few mates, who play in awesome bands, to share to the stage and fuck the place up with. Nice.
Tom Lindsey
On what looks like a skatepark put through a child’s kaleidoscope, this year’s Slamtrick in association with
Chad Tim Tim is bangin’. If you want proof, head over to 
The latest issue of Puzzle is now available online for absolutely nothing. No monies needed. They have chosen some belting tunes from Parisian label Ed Banger for the soundtrack; the end result is pretty stimulating!
Self proclaimed “local heroes” Peter and The Test-Tube Babies take to the stage and launch in to “Moped Lads” from their debut seven inch (on No Future Records) – probably the funniest ode to teenage revheads on 50cc’s that anyone’s ever bothered to commit to vinyl. Singer Peter is the only original member at present, with guitarist Del away on tour managing duties, but his place is taken by brother Walnut, and augmented by second guitarist Andy “Aggro” another long time fixture on Brighton’s music scene, and their dual guitar attack works really well, adds a heavy edge.
When apathetic office slave, Wesley, finds out that he is the son of “the world’s greatest assassin” he is thrown into a quandary. Does he give up on his insignificant life; stuck in his cubicle, bullied by his hideous boss, aware that his girlfriend and best friend are at it like rabbits behind his back, whilst suffering severe anxiety attacks, or does he leave it all to become a super assassin and avenge his fathers death. It all seems very “Fight Club“, Wesley’s voice over especially at the beginning of the film, and his inner monologue throughout the training montage and clichéd fight sequences.
It is a well directed, action thriller that manages to bombard the audience with adrenaline soaked, pulse-pounding cinematic viewing. Some of the best bits are the smallest details, like Wesley’s anxiety attacks; you genuinely feel that loud uncomfortable pulse in your ear, like you’ve been stood next to the worlds biggest amp and when you move away from it, you can still hear that dull thud. Despite the obvious copycat visuals, a twist which isn’t predictable but still conventional, the film is still constantly watchable and has enough violence and movement to make up for the rather daft back-story (wait for the giant loom).
In preparation for Funeral For A Friend’s fourth album, ‘Memory And Humanity‘, out October 13th, the single, ‘Waterfront Danceclub‘ is available for fans to download for absolutely nothing.
The Prodigy are set to reissue the classic albums ‘Experience‘ and ‘Music For The Jilted Generation‘ with a slick bunch of b-sides and remixes to go with ’em on a bonus disc. If any album deserves to be re-released then I’m sure you’ll agree that these two are of top priority.