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Fake History
Epitaph Records

letlive.fake historyOn first hearing ‘Le Prologue’, the opening track to ‘Fake History’, it’s easy to assume that you’re about to hear a drawn out, suspense building intro track that you would’ve lost interest in before reaching any kind of semblance to a song… but no, letlive. write off the suspense and unleash an outrageous and calculated assault, aimed straight at your unsuspecting nervous system feet first with big fucking boots on. Before you know it, track two, ‘The Sick, Sick 6.8 billion’, has happened and it’s happened hard, and you don’t get a chance to breath until it’s over.

If you miss the time when Anthony Green was still in Saosin, and Glassjaw had just released Worship and Tribute, ‘Fake History’ is probably going to blow your mind. In terms of a post-hardcore record, it’s near perfect, and considering the fact that it’s basically an hour long, keeping the listener interested is a victory in itself. ‘Fake History’ achieves this with variety. Each track is a journey, both vocally and musically, and this allows the whole record to ebb and flow as a whole. Vocalist Jason Aalon Butler can belt out an ear-splitting scream, switch effortlessly to a whisper, and tops it off by holding those big notes in a way that Andrea Bocelli would most likely have busted a blood vessel or two. The drums on ‘Casino Columbus’ sound like thick, heavy artillery whereas tracks like ‘Lemon Party’ provide rhythms that’ll have your dancing shoes on in seconds. Sure, loads of bands can mix it up in an album, but what sets this apart is that it’s all presented so damn stylishly. All the musicians are solid and it’s undeniable that Butler’s vocal skills are slick as hell and more than accomplished.

If you were fortunate enough to see them at the Old Blue Last for their first UK headline show, then you won’t need convincing. If you missed it, fear not, for it seems clear that letlive. are a bomb that will be exploding into your lives, turning and rolling heads simultaneously, and ‘Fake History’ is lighting the fuse. This album is what you love about post-hardcore. It highlights everything that was good and exciting about the genre: unforgiving and impassioned vocal hooks, a rhythm section that is both restrained and relentless, all of which will get you singing, dancing and generally losing your shit.

Oli Knowles