We woke up this morning to receive a parcel from Volcom that said ‘Happy Halloween’ on the package, shaped like a coffin! You can imagine how quickly this was ripped open, puzzled to know what was inside, only for my anxious hands to pull out a set of Fear Pyjamas in time for the Halloween Massacre!
The coffin box contains a long sleeve top and pants with elastic waistband and drawstring cord. The quality of this set is amazing. I had them on in a few minutes flat to feel the soft, brushed cotton sit on my skin and offer me some serious warmth in seconds.
Get these on this winter and pretend you are in the Misfits!
Thanks for making this one of the best night’s out we have ever had the pleasure of creating. Look out for the gallery today on the homepage.
ROOM 1 – AKA THE VANS ROOM
9 – 10.30pm: LAST RESORT
10.30 – 11pm: CROWNS LIVE
11pm – 12pm TALITA TWOSHOES/PHEOBE WINTER
12-12.30am – CEREBRAL BALLZY LIVE
12.30am – 2amSTEREO:TYPE
2am- 4am SWEET DREAMS
4am-5am – CROSSFIRE SOUND SYSTEM
ROOM 2 – CROSSFIRE ROOM
9pm-10.30pm – TALITA TWOSHOES/PHEOBE WINTER
10.30pm-12am – LAST RESORT DJs
12am-5am – CROSSFIRE SOUND SYSTEM
ROOM 3 – AKA FRONT MAGAZINE ROOM
9-10pm CROSSFIRE SOUND SYSTEM – JAMES SHERRY
10pm-11.30pm TOMB CREW with ILLAMAN MC
11.30pm -1am RACK N RUIN
1am- 2.30am ENTER SHIKARI ROB & SGT ROLFY
2.30am-4.00am HIGH RANKIN and TIGERLIGHT
So here, we are. There are literally handfuls of advance tickets left. Snap them up right now and we will have your details on the door for when you arrive, no worries. We have also held back only 100 tickets on the door for those of you who can’t get your shit together! We are almost there though, you’d better be ready!
In order to celebrate 10 YEARS of doing this Crossfire stuff, our filthiest party, THE CROSSFIRE HALLOWEEN MASSACRE in association with Vans returns to the capital this year on Friday October 28th. We are putting everything into this one here so get organised in advance. Press play for Halloween Treats!
This party will be held at the same venue that we threw the Flip premiere at HIDDEN CLUB, 100 Tinworth Street, Vauxhall, London, SE11 5EQ from 9pm-5am. Click here for a map. Please note that this night is strictly over 18’s only. You will be asked to show ID at the door and go through a small security check.
Earlybird tickets have now unfortunately sold out. Advance tickets for just £10 (+booking fee) are on sale now from Ticketweb and WeGotTickets for a limited period. You can pick up paper tickets in the shop over the counter and online here at Slam City Skates. Please note that this event always sells out and tickets are currently selling fast, so organise your Halloween night now to avoid disappointment. Invite your friends from the Facebook
The Massacre is only a week away, so what will you be dressing up as this year? It’s not essential but please note that pretty much everyone makes a big effort for this party. We will give away a huge package from Vans, Front, Crossfire and of course, a ltd edition Toxic Wasters sticker pack for the best dressed on the night. The best dressed male and best dressed female will be picked at midnight, so get yourself organised this weekend!
Nine Inch Nails, mashed up with Skrillex, Guns and Roses, Plan B, Michael Jackson, Slipknot, Chase and Status, Pendulum, Nero, Rage Against the Machine, The Prodigy, Noisia, Daft Punk- it’s all stuffed into here to form a party classic! Just dive into this and download it for free today on us.
If you are loving this, show your appreciation and LIKE the Stereo:Type Facebook page so you can keep in touch with more of this goodness.
Cerebral Ballzy are our special guests this year. Watch their latest video here and look out for an interview with them this month.
We have also added Cornish 4-piece punk band, Crowns to the Vans room line up. Expect pirate style punk rock with a boozy swagger hitting your ears! Get a free download here.
MASSACRE 2011 LINE UP
FRONT MAGAZINE ROOM: LDN BASS SCENE/DUBSTEP/DnB/ELECTRO
HIGH RANKIN & TIGERLIGHT
ROUT & SGT ROLFY (Enter Shikari DJ Set)
RACK N RUIN (Black Butter Records)
TOMBCREW feat ILLAMAN MC (Trouble & Bass)
VANS ROOM: CLASSIC ROCK/METAL/THRASH/PUNK/MASH UP/HIP HOP
CEREBRAL BALLZY – LIVE!
CROWNS – LIVE!
STEREO:TYPE (XFM’s most requested Mash Up DJ)
TALITA TWO-SHOES (Total Rock)
PHEOBE WINTER (Metal Hammer show onPlanet Rock)
CROSSFIRE SOUND SYSTEM with ZAC SLACK & JAMES SHERRY
CROSSFIRE ROOM: TOXIC WASTERS SKATE STICKER ART EXHIBITION!
12 of the most exciting skateboard graphic illustrators will showcase one off sticker designs especially for Halloween. Includes exclusive work from Paul Parker, Mr Gauky, Kyle Platts, Sam Taylor, Matthew Bromley, French, Stu Smith, Fos, Craig Scott, Dan Singer, Paddy Jones and Tom Slater.
Watch Paul Parker’s illustration documentary here to find out more about his art. Mr Gauky’s Day In A Life is also now live. Awesome stuff.
If you have been to the Massacre before then you know you will need 2 days off to recover, so this year we have decided to help you out and throw it on a Friday. Get organised with tickets now to avoid disappointment. Please download the Massacre flyer below and put it on your wall. See you there!
The release of Funeral For A Friend’s fifth (yes, fifth!) album is creeping ever closer and the band have just unveiled a kick-ass new music video for forthcoming single from the record Sixteen which you can see below.
The album Welcome Home Armageddon is out on 14th March and pre-orders and all that malarkey can be checked out at www.ffaf.co.uk.
Following on some their acclaimed ‘Growing Pains‘ last year, Dinosaur Pile Up have returned in the new year with a brand new single that just so happens to be one of the first songs frontman Matt Bigland wrote for the band. ‘My Rock N Roll’ is due out on March 14th.
The band will also be appearing on the Rock Sound Exposure tour. Catch them with Japanese Voyeurs and The Xcerts at the following dates:
17 – Bedford Esquires
18 – Bournemouth Champions
19 – Brighton Audio
20 – Tunbridge Forum
22 – Cambridge Haymakers
23 – Birmingham O2 Academy3
24 – London Relentless Garage
25 – Bristol O2 Academy2
27 – Glasgow King Tuts
28 – Newcastle O2 Academy2
02 – Leeds Cockpit 2
03 – Manchester Roadhouse
04 – York Duchess
05 – Southampton Joiners
Tom Waits will be publishing a book of poetry next year.
The gravel-voiced singer’s book will be called Hard Ground and is a collaboration with photographer Michael O’Brien whose pictures of the homeless will accompany Waits’ poems. The book is set for release in March 2011 through University of Texas press.
Bear Vs Shark were one of our favourites. So we were pretty heartbroken when they broke up. But now Bars of Gold have emerged from the ashes and are doing some serious easing of the pain. We caught up with drummer Brandon just after the release of their debut album ‘Of Gold’ to see where his head was at, how the album came into being and what’s next for this new outfit.
What were you up to in the years between the demise of Bear Vs Shark and the inception of Bars of Gold?
Speaking for myself, I was basically in Wildcatting the whole time between BVS & BOG. I was also involved in a whole bunch of projects that were fun. I learned to say “Yes” to as much as I could get myself involved in. It lead to some really cool things. Of course, Wildcatting morphed into Bars of Gold when Marc started showing up to practice. I should add that Wildcatting is not dead, it’s just that those batch of songs are the outcome of the four of us, whereas what we’re playing in Bars of Gold is slightly different. Because of time constraints, we’re focusing solely on Bars of Gold as much as we can.
Why did you decide to form Bars of Gold and what do you aim to achieve with the band?
Between all of us, we’ve been friends for years, so being in a band together was just a natural thing. Honestly our goals with the bands have been and hopefully will continue to be just writing (and recording) music. We achieved the release of our first record, so we’re already looking towards what’s next. Oh, and playing shows certainly is fun, too.
Will you be touring much? What have your shows been like so far?
As of now, No, we will not be touring much. Although, we will do what we can, but hard-core touring itself will be minimal. That isn’t to say that we’re not going to go out on excursions when the opportunity presents itself. Our shows have been quite amazing. We’ve been fortunate to play with some really great bands and have befriended some really good people. I guess it’s best to just go with the flow & see what happens.
Any plans to come to the UK specifically?
Truth is, we would love to come over as soon as we can. BVS never made it to the UK and that was something we really wanted to do. Hopefully we can get the gears rolling sometime in the near future.
What’s the story behind the name?
Like every band I’ve ever been, we’ve always picked names that tend to be kind of ridiculous. Bear vs. Shark, Pinkeye Orchestra, Wildcatting, Bars of Gold… all basically ridiculous, but I like them. I guess I would say that the best bands’ names have always come from some people who aren’t taking themselves too seriously.
How long did it take to get the album together? Did you work with any producers / engineers or was it entirely self-produced?
It didn’t take too long to write overall, but it seemed like it took a bit to put the whole record together. From the moment we started to record to the day it was out, it took a little less than a year. It slowed down when literally 4 out of 5 of us were moving & when our practice space shut down. I moved from Detroit to DC (9 hours away) which slowed things down a bit. Also, the release is vinyl, which is notoriously slow to produce.
Was it a smooth process?
A bit slow, but all in all, I’d say yes.
How does your outlook on the music scene / industry differ now, being in Bars of Gold, in comparison to how you felt as a part of Bear Vs Shark?
I would say my outlook is much better. The music industry tends to be an all-or-nothing/winner-takes-all type of economy and it’s not a game I feel we have to partake in. We all feel pretty comfortable just doing our thing. Hopefully people care enough to scope it out, but we’ll keep doing it nonetheless. Our expectations for ourselves, I’d say, are much more sound and focused on longevity for the project. We all see this as a long-term project/experiment that we can continue to grow into. Fun times will continue to be had for sure.
Is it a very different experience for you now or are you having certain feelings of déjà vu?
No déjà vu, or at least not for me. This is a different experience. I highly value what I did in the past with Wildcatting and Bear vs. Shark, but I think what’s going on now is really great. In many ways, we’re still in the process of trying to figure out what’s going on, which is a great process to be in the midst of. We don’t particularly have anything in mind when we write songs, we just kind of extrapolate from all these ideas that we kick around between us.
How did the release with Friction come about?
We’re old friends with Jeff, from Friction. He just asked if us if we’d be interested in having Friction put it out, and we were happy to say yes. Kind of simple actually.
There is relatively little information about the band out there on the world wide web at the moment. If you were to start your own Wikipedia page for the band, what 6 things would you tell everyone about yourselves (can be true or false, we’ll take our best guess as to which)?
This is funny to me because much of the BVS Wikipedia page is just wrong on so many parts.
1) The original name was going to be Volunteers
2) Wildcatting is still a band, we’re just busy right now, or something
3) Scotty makes & sells guitar pedals & other instruments
4) We make all of our t-shirts in our practice space.
5) Marc’s been brewing some mighty fine beer recently.
6) We enjoy playing more than one show a night.
Bars Of Gold debut album ‘Of Gold‘ is out now through Friction.
Mental breakdowns and crises can occur at any point in an existing person’s lifetime, most commonly when confronted with the concepts of existence, or indeed a limited time in which one can be alive and exist. Shit, I’m constantly surprised that we’re not in a constant state of anxiety-ridden madness, I know I’m flirting with the idea just writing about it. And listening to the latest disc of fuzz-fuelled fantasy and anti-serious garage rock from Nick Cave’s Grinderman project almost tempted me to indulge in a balls-out illicit affair with insanity.
That is not to say that Grinderman is Cave’s outlet to just lose his shit; though shoving on some Roman garb and thrusting lasers at the earth while a wolf circles a girl in a bathtub would almost have you thinking otherwise. And I’m certainly not going green-text imply that The Bad Seeds isn’t the music he truly wants to make. What Grinderman 2 is, is an informed soundtrack of celebration for the natural impulses that linger in our sub-conscious that make us occasionally want to thrust lasers from our dick while wearing armour and shout ‘HERE COME THE WOLFMAN’ while walking into a cinema. It’s the reason why we celebrate Halloween.
Musically, it’s bitter, gorgeous and somehow more sonically expansive then the first collection of impromptu sleazy, visceral rock. Cave’s absurdist saturation of sexual, violent, hilarious lyrics penetrate harder than ever as he scowls on Worm Tamer, ‘My baby calls me the Loch Ness Monster, two great big humps and then I cum’ while the perpetual bass fuzz makes you want to just get up and throw shit. One can only imagine how fun the Grinderman recording sessions are as they surf through high and low culture on an impossibly badass selection of bluesy riffs and guitar noise that can only be made by the monster that lives in the garages of tacky US horror flicks.
So dive in and embrace the wonderful breakdowns that are imminent when listening to one of the most raw albums you’ll hear in 2010. And if you thought your big husband would protect you, YOU WERE WRONG.
Three albums into a short yet critically lauded career, at this stage No Age would probably be forgiven a mis-step. With two great albums already under their belts the band have quickly become one of Sub Pop’s most prized assets, and the addition of Everything in Between to their discography will do this status no harm.
Unlike the band’s previous albums, Everything in Between wastes no time in getting straight into it. The usual ambient and feedback interludes are saved for the second half of the record, as we are greeted by straight up garage rock tracks, laced with more melody than ever before. The band have lost none of the warm and comforting fuzz that they’re known for, but there’s an added sheen to the production of songs like ‘Glitter’ that feels like a step forward for the band. This progression is so slight that they could never be accused of attempting to sound more radio friendly, and when they want to, as on ‘Fever Dreaming’, they still channel raw punk influences.
What makes No Age such an interesting recorded band, though, is their ability to switch it up and produce moments of shimmering instrumental beauty. The first sign of this falls seven tracks in, as shoegazy interlude ‘Katerpillar’ breaks up the record’s two halves. From here the record becomes more varied, as a trio of slow burners ‘Sorts’, ‘Dusted’ and ‘Positive Amputation’ add gorgeous texture to the record. It’s the band’s ability to switch effortlessly between the two that makes them so special, as the album finishes on the poppy duet ‘Chem Trails’.
Where exactly Everything in Between ranks next to Nouns and Weirdo Rippers remains to be seen, but it already feels like a record that could be lived in for a long time to come. In a year where indie rock has at times looked so short of ideas, No Age remain one of the genre’s bright sparks.
And so Reading Festival was finally upon us. From the moment the first acts are announced early on in the year, you can’t help but be excited about it. You’ve just never heard of anyone having a shit time at Reading, have you? We certainly never have. Despite almost blowing it by getting rather out of control on the Friday night, we managed to last the distance and ended up having one of the best Reading experiences ever, helped along by a multitude of excellent bands, an endless stream of good people, power ballads, mainstream hip-hop, vodka in Capri-sun containers, a fair few pints of cider and a gallon or two of Relentless energy drink. Relentless eyes ahoy!
Unfortunately, we missed Young Guns open up the main stage but by all accounts, they had a monstrous crowd and did their job of kicking off the festival very well indeed. A Day To Remember followed on in style with their enthusiastic combination of pop-punk and hardcore getting the crowd in a tizzy despite it only being 1pm. Judging by the intense reaction they got, there will be no stopping their rise in popularity any time soon. Everyone present seemed to be relishing in the great melodies mixed up with great chugs.
Two Door Cinema Club continued the theme of humungous crowds for their poptastic set over at the Radio 1 / NME tent. Despite never having consciously listened to their music, they’re one of those bands whose songs I apparently know anyway through some sort of mainstream osmosis process. The band’s set was rapturously received by the mass assembled and it’s safe to say they were the perfect choice for that stage. They probably could’ve even been billed higher. One of those cases of a band blowing up so quickly that, by the time Reading and Leeds come around, they’ve kind of outgrown their slot. Due to the Festival Republic stage running behind schedule, we managed to catch a bit of indie-pop duo Summer Camp who rattled off some dreamy ditties to a moderately enthused crowd. Pulled Apart By Horses were the next to provide the rock as they proceeded to lay waste to the tent in spectacular fashion, bounding all over the place, banging out riffs and generall just being awesome. NOFX sounded good as we traversed the main arena back to the guest area where we heard tales of Strike Anywhere’s Lock-Up stage set being sadly empty.
Biffy Clyro kicked the festival up a notch into another league with their polished yet somehow still raucous epic rock. A fair few classics from back in the day mingled in with the standard modern hits like ‘Mountains’ meant their set was enjoyed by all. Not least all the ladies present who were no doubt swooning at the three shirtless men, despite frontman Simon Neil looking kind of like Father Christmas now he’s bleached both his hair and beard. Plus pink jeans – wow. Phoenix continued the wow-factor of the weekend over on the Radio 1 / NME stage. The French act had the most amazing pulsating lights, flashing all the colours of the rainbow and hypnotizing the crowd in the process. Luckily, they also have the tunes to back up the lightshow and everyone present was dancing along to their effervescent pop hits.
We failed a bit on Saturday in terms of watching bands. What can we say – got a bit too enthusiastic at the power ballads DJ set the night before and it somewhat dampened our enthusiasm for Saturday.
Paint It Black, Trash Talk and Gallows were the main casualties of our laziness though by all accounts they were every bit as rad as we knew they would be. The Gaslight Anthem kicked off our band-watching activities for the day in style though. An intense main stage experience, though it could’ve been improved upon tenfold if the soundman had turned up the volume a bit! In spite of this annoyance, the set was enjoyed by a massive crowd as the band reeled off hits like ‘Old White Lincoln’ and ‘American Slang’ and the crowd sung their hearts out to make up for the lack of volume from the stage.
Cancer Bats rocked the Lock-Up stage to its core in a set that put them up against Dizzee Rascal’s Main Stage appearance. Still, their scuzzy riffs were clearly a draw for the rock kids at the festival. We went on to catch a bit of Dizzee, including his now-legendary Nirvana-mashing with ‘Stand Up Tall’ versus ‘Teen Spirit’. An excellent performance as ever, enjoyed by all. The Get Up Kids played to a half-full Lock-Up tent but that didn’t matter. Everyone there was a complete superfan and it was a great set of newbies and classics and also included their cover of The Cure’s ‘Close To Me’. Lovely. Passing by Arcade Fire for a song or two, it sounded pretty incredible, although it kind of looked like everyone was watching Pendulum on the NME / Radio 1 stage instead…
What a day! This has to be one of the best main stage line-ups of all time. So we’ll get to that. But our day started with a bit of Lights on the Dance stage which was all very pleasant girl-fronted electro-pop. Kvelertak were slightly louder on the BBC Introducing stage and definitely did more to wake us up with their Nordic metal inclinations, fused by good old-fashioned rock’n’roll. Foxy Shazam wow those who make it to the Festival Republic tent for their set. Pure genius showmanship. And acrobatics to boot. Debut UK single ‘Oh Lord’ sounds tremendous. We nip out to catch a snippet of Thrice on the mainstage including the massively brilliant ‘Silhouette’. Next up we’re excited to see local youngsters done good You Me At Six on the Main Stage. The band do an immense job of getting the crowd involved even though the big screens have been taken down due to a freaky bit of stormy weather during All Time Low’s set. Hayley from Paramore even comes on to sing ‘Stay With Me’ with YMAS. The screens come up again during Limp Bizkit’s procession of stone cold hits. In fact, their choice of setlist is suspiciously similar to that of their set at Reading 10 years ago. Not complaining though. It was ace. And Fred Durst is definitely a legend, even when not wearing the obligatory red cap (a white cap?!) As a friend quite rightly points out, Wes Borland is dressed as a cross between a witch and a Guylian chocolate. Entertainment at its best. Well, not quite.
Weezer are up next and what they do is phenomenal. Simply put, this is probably the best Reading festival set I’ve ever seen. The sun is shining and Rivers is in the best mood ever. He also has props. A Lady Gaga wig (they cover ‘Poker Face’ mixed in with MGMT’s ‘Kids’), a cat hat, a fucking trampoline. This is the exact opposite of every other performance I’ve ever seen Weezer do. AND they play the good shit. Nothing off ‘Pinkerton’ which is definitely a shame. But we don’t even care, it’s THAT good. ‘Surf Wax America’, ‘Say It Ain’t So’, ‘The Sweater Song’ are definite highlights but even the more frivolous ‘Beverly Hills’ and ‘Troublemaker’ sound awesome. Everyone has a permanent smile on their face for the rest of the night and I’m pretty sure it’s all because of WEEZER.
We caught a little bit of Paramore. Enough to be able to tell that they’re still great at what they do and we’re going to be excited when they return to the UK for TWO o2 arena shows. Blink 182 got everyone more excited than I ever thought they would… They pulled an entertaining set out of the bag, as was to be expected, and they also proved that they’ve got better at playing their instruments in the years since they last played the festival. Not that Travis ever had anything to prove. Obviously. Hits that provided a constant stream of crowd singalongs included ‘First Date’, ‘Rock Show’ and, of course, ‘All The Small Things’. It was also great to hear the songs from further down the line in the band’s career like ‘Feeling This’. I think it’s safe to say that a good time was had by all, not least the main stage bands on this final day, all of whom clearly reveled in their participation in such a well-placed rock line-up. One that will not be forgotten in a hurry.
Attention reader: you are all to stop what you are doing and watch the new Grinderman video. Even if you aren’t too keen on Nick Cave’s grimey and groovey garage rock troupe you should spare five minutes of your time to enter the batshit insane world of Heathen Child, a video directed by John Hillcoat.
Imagine a topless voodoo dancer, some wolfmen, a wolf, a hair-monster, a dog composer and a gun-totting, lazer shooting Roman warrior version of Cave and his crew collectively taunting an eerie girl in a bath that’s seemingly possesed by a director with ADHD. Now try to pretend you’re not excited to watch it.